https://revistas-anterior.pucsp.br/index.php/cordis/issue/feed Cordis: Revista Eletrônica de História Social da Cidade 2025-11-18T23:31:51-03:00 Revista Cordis revistacordis@pucsp.br Open Journal Systems <a href="/cordis"><img src="/public/site/images/portalrevistas/cordis.jpg" alt="" align="left" /></a> https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72811 The musicality of the tincoãs in terms of Law 10.639/03 2025-08-09T21:45:54-03:00 Nikolle Soares Matos nikollematos@id.uff.br Márcia Regina da Silva Ramos Carneiro marciarrcarneiro@gmail.com <p><span style="font-weight: 400;">This research is grounded in the hypothesis that Os Tincoãs' musicality embodies ancestral memory, drawing on the oral traditions of African-derived religions. The trio's sound became a tool for connecting Afro-Brazilians with their ancestry, by Law 10.639/03. The analysis considers the perspective of Conceição Evaristo's writing experience and the concept of "place of speech" emerging from the black feminist movement. Situating ourselves within the topoi of identity experiences, including the writing topos, where I situate my own experience, we address the "sung literature" of African religiosity that intersects with Catholic and Latin American elements, constituting an amalgam of Brazilianness and black resistance during the Brazilian military dictatorship. This musicality informs strategies for promoting anti-racist education and combating religious racism in Brazilian Education. </span></p> 2025-08-10T00:00:00-03:00 Copyright (c) 2025 Nikolle Soares Matos, Márcia Regina Da Silva Ramos Carneiro https://revistas-anterior.pucsp.br/index.php/cordis/article/view/73060 Rita Lee 2025-08-25T18:50:40-03:00 Giseleda Silva Souza giselesouza.prof@gmail.com Maria Izilda Santos de Matos mismatos1@gmail.com <p><span style="font-weight: 400;">Rita Lee stood out as a composer, instrumentalist, singer, and writer, achieving great popularity. The study traces her trajectory, emphasizing the period of the military dictatorship, her imprisonment in 1976, and the censorship of her work. Her lyrics were banned for addressing morality, sexuality, the female body, and freedom. The research adopts a historical and musical perspective, analyzing her production in rock and tropicalismo. It is based on authors such as Lima (2020), Matos (1997), Paranhos (2019), and Napolitano (2001e 2002). Structured into three units, the study examines her relationship with censorship, analytical strategies, and research paths.</span></p> <p>&nbsp;</p> 2025-08-25T00:00:00-03:00 Copyright (c) 2025 Gisele da Silva Souza, Maria Izilda Santos de Matos https://revistas-anterior.pucsp.br/index.php/cordis/article/view/69865 Flamengo até morrer (1973) by Marcos Valle and Paulo Sérgio Valle 2025-04-15T21:22:09-03:00 Josinei Martins de Oliveira edson_hist@yahoo.com.br Edson Silva de Lima edsonhistoriauerj@gmail.com <p>In this research, we highlight the importance of music as a rich source of historical analysis. We focus on the song "Flamengo até morrer" to explore various aspects, including the political cultures of the time, the military government's cultural politics, and the categories of censorship. By analyzing the transition in Marcos Valle's musical production, we observe his shift from bossa nova themes to social and political issues after engaging with the political culture of resistance. This is subtly reflected in the mentioned song, which satirizes the military regime. In this dark context of Brazilian history, art stood out as a means of resistance, challenging state power.</p> 2025-04-16T00:00:00-03:00 Copyright (c) 2025 Josinei Martins de Oliveira, Edson Silva de Lima https://revistas-anterior.pucsp.br/index.php/cordis/article/view/71319 O apagar das luzes 2025-04-17T13:29:28-03:00 André Luiz Rodrigues Carreira andre.carreira@redealix.org.br <p>This work seeks to understand and analyze the proliferation and subsequent decline of nightlife in the port area of ​​the city of Santos between the 1940s and 1980s.</p> 2025-06-26T00:00:00-03:00 Copyright (c) 2025 André Luiz Rodrigues Carreira https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72776 Music beneath the skin 2025-07-31T07:02:01-03:00 Guilherme Odilon Costa guilherme.costa8@estudante.ufla.br Thiago da Cunha Nascimento thiago-nascimento@ufla.br <p><span style="font-weight: 400;">In this paper, we analyze the lyrics of Taylor Swift's song "Ivy", investigating how cognitive structures are engaged in the aesthetic experience of the reader-listener. Grounded in Cognitive Linguistics and Cognitive Poetics, we adopt as theoretical-methodological frameworks the Theory of Conceptual Metaphors and Metonymies and the Theory of Image Schemas. Our analysis reveals a multifaceted and paradoxical construction of the concept LOVE, articulated through conceptualizations such as LOVE IS A PLANT, LOVE IS FIRE, and LOVE IS WAR, which embody the anguish of the forbidden love narrated in the song. We conclude that: (1) these cognitive mechanisms, in synergy with musical elements, enhance the vividness of the aesthetic experience; and (2) this research contributes to Cognitive Poetics by expanding its scope of analysis to the popular song genre, demonstrating how cognitive processes operate in meaning construction within song lyrics.</span></p> 2025-08-09T00:00:00-03:00 Copyright (c) 2025 Guilherme Odilon Costa, Thiago da Cunha Nascimento https://revistas-anterior.pucsp.br/index.php/cordis/article/view/68900 Nas ondas do rádio 2025-04-13T22:05:54-03:00 Raimundo Cézar Vaz Neto rcvazneto@hotmail.com Maria Izilda Santos de Matos fcr.historiador@hotmail.com <p>This work aims to trace Ellen de Lima’s artistic trajectory, within the field of Cultural History and from the perspective of History and Music. Born in Salvador (1938), as a child she settled in Rio de Janeiro at the end of the 1940s, began her artistic career participating in freshman programs, became a professional singer, performing on the radio and performing in shows. The research prioritizes <em>Revista do Rádio</em> (1948-1970) and other periodicals (1950 to 1970) as documentation, including interviews, memories and testimonials from the artist, radio and TV programs, as well as videos and shows.</p> 2025-04-13T00:00:00-03:00 Copyright (c) 2025 Raimundo Cézar Vaz Neto, Maria Izilda Santos de Matos https://revistas-anterior.pucsp.br/index.php/cordis/article/view/74124 Between songs, reminiscences and texts 2025-11-18T23:31:51-03:00 Marcelo Flório mflorio@uol.com.br <p>Through the interpretation of songs, reminiscences, and texts, this study seeks to address, from a historical research perspective, the poetics of the singer Maria Bethânia regarding the ways of singing and experiencing the city of Santo Amaro de Purificação, her birthplace, which marked her childhood and adolescence and where her memories and musical and theatrical performances remain deeply rooted even into adulthood, significantly permeating her entire 60-year career.</p> 2025-11-19T00:00:00-03:00 Copyright (c) 2025 Marcelo Flório https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72635 From tecchnique to expression 2025-07-31T07:12:38-03:00 João Costa Gouveia Neto joaoneto@professor.uema.br Estéfane Costa Barros estefane.barros@mpma.mp.br <p style="margin-bottom: .0001pt; text-align: justify; line-height: normal;"><span style="font-family: 'Arial',sans-serif;">The voice is one of the indispensable instruments for the performance of several professional and social activities. In the artistic world, lyrical singers need techniques and habits capable of helping to build the desired performance, care that is indispensable in the process of training a voice professional. In view of this, the need arose to analyze how vocal technique influences the routine of students of the technical level of lyrical singing at EMEM, as well as to observe the different techniques adopted by the teachers of the center and compare the results of the students through the application of questionnaires. The research is of a qualitative nature with bibliographical references obtained by virtual means, the application of a questionnaire with the students of the technical level and an interview with the coordinator of the singing center. The results obtained were partially similar, since the students performed similar tasks outside the classroom, leading to the conclusion that the habits escape vocal awareness.</span></p> 2025-08-04T00:00:00-03:00 Copyright (c) 2025 João Costa Gouveia Neto, Estéfane Costa Barros https://revistas-anterior.pucsp.br/index.php/cordis/article/view/68938 A fusão de música e imagem na obra de Dorival Caymmi 2025-04-13T23:53:08-03:00 Alberto Freire Nascimento albfreire@yahoo.com.br <p>O cantor e compositor Dorival Caymmi (1914-2008) revelava que sua forma de compor as canções era semelhante à criação de uma pintura. Inicialmente vinha a ideia, que amadurecia lentamente até tomar a forma final. É possível perceber a música de Caymmi sob esse plano, e o ouvinte é conduzido a uma profusão de imagens de referências culturais da Bahia. Ao descrever lugares, narrar fatos da realidade ou do ilusório, há uma recorrente presença de elementos imagéticos em grande parte de suas canções. Por meio da pesquisa bibliográfica, análise das letras e audição do repertório do autor, foi possível estabelecer essa correlação de música e pintura, sons e imagens se entrelaçando com singularidade na poética caymmiana. Portanto, para além do aspecto estético e contemplativo, há um viés do legado inventivo que inseriu representações da Bahia, por meio de paisagens sonoras, trazidas por Dorival Caymmi a partir da sua história e memória.</p> 2025-04-14T00:00:00-03:00 Copyright (c) 2025 Alberto Freire Nascimento https://revistas-anterior.pucsp.br/index.php/cordis/article/view/71491 The 1990s and the pop-rock in Santa Gertrudes/SP – Part 2 2025-06-25T09:22:12-03:00 Carlos Eduardo Marquioni cemarquioni@uol.com.br <p>During the 1990s, it was possible to observe in Santa Gertrudes/SP the simultaneous coexistence of at least two generations interested in forming pop-rock bands in that small town: one of young people born in the 1960s/1970s and another in the 1980s. Throughout that decade, these two generations would experience access to and use of (then) new communication technologies: the MTV Brazil transmission signal (then new to the area) and the electronic games (which had then new options). The production of meanings associated with those uses would culminate in cultural redefinitions (Raymond Williams) and the local establishment of new identities (Stuart Hall, Zygmunt Bauman) that would be observed in the sound of the formed bands.</p> 2025-06-28T00:00:00-03:00 Copyright (c) 2025 Carlos Eduardo Marquioni https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72855 Parties, entertainments, and political disputes in the pernambucan periodicals of the 1830s 2025-08-02T22:35:02-03:00 Kauê Henrique Ribeiro do Nascimento kauenascimento010@gmail.com Lídia Rafaela Nascimento dos Santos lidia.santos@unicap.br <p>In 1830s Pernambuco, public festivities mirrored the political tensions of the Brazilian Empire. Civic, religious, and popular celebrations became arenas for power, identity, and social control. Newspapers reveal how elites, oligarchies, and popular groups used these symbolic rituals for political purposes.</p> 2025-08-05T00:00:00-03:00 Copyright (c) 2025 Kauê Henrique Ribeiro do Nascimento, Lídia Rafaela Nascimento dos Santos https://revistas-anterior.pucsp.br/index.php/cordis/article/view/74012 Cearense migration in the Amazon at the end of the 19th century in the novel O Paroara by Rodolfo Teófilo 2025-11-12T04:45:41-03:00 Ribamar Diniz ribamardiniz1@gmail.com Francisco Carlos Ribeiro fcr.historiador@hotmail.com <p>The objective of this research is to analyze the migratory process of people from Ceará to the Amazon at the end of the 19th century, as presented in the novel *O Paroara*, by Rodolfo Teófilo, comparing his ideas with contemporary literature on the same process. This article does not intend to contribute new analyses or interpretations regarding the subject matter; it simply aims to gather material already available in selected bibliographic sources.</p> 2025-11-18T00:00:00-03:00 Copyright (c) 2025 Ribamar Diniz, Francisco Carlos Ribeiro https://revistas-anterior.pucsp.br/index.php/cordis/article/view/70175 Personalities, places and literary events: analysis of the literary inventory of Currais Novos/RN (2024) 2025-04-13T21:05:28-03:00 Roney Greyf Martins Soares roney08greyf@gmail.com Eduardo Cristiano Hass da Silva eduardohass.he@gmail.com <p>Among the segments that make up tourism, there is cultural tourism, made up of different modalities, such as literary tourism. The article aims to inventory the events, personalities and literary places in the city of Currais Novos/RN, thinking about ways of appropriating these cultural assets by cultural tourism. It is understood that the study has social and scientific relevance, as it provides elements for public authorities to think about the appropriation of literary elements by tourism, as well as producing scientific knowledge. The methodology used was the cultural inventory proposed by IPHAN, with adaptation of the inventory sheets, bibliographical research and the application of questionnaires. The theoretical framework articulates tourism, literature and cultural heritage. The results made it possible to identify and analyze 7 literary personalities, 4 places and 3 events.</p> 2025-06-30T00:00:00-03:00 Copyright (c) 2025 Roney Greyf Martins Soares, Eduardo Cristiano Hass da Silva https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72098 Between archetype, fear and reality 2025-06-19T22:01:04-03:00 José Luiz Xavier Filho jlxfilho@hotmail.com Raphael Guazzelli Valerio raphael.guazzelli@ufpe.br <p>History teachers can always use a variety of sources to enhance their classes, such as the use of images/photographs that are ready to help them liven up the school environment. Furthermore, iconographic collections are important supports for uncovering projects, conflicts, and values ​​that allow us to understand even the mechanisms of construction of the collective memory of a given society. Therefore, learning to read and interpret images can offer us ways to teach History and better understand the world we live in. This article presents important theoretical references and suggestions for activities that can be carried out in the classroom to help teachers who deal with the teaching-learning process of History in Basic Education. We have divided the text into two sections: theory (a brief iconographic historiography) and teaching History (successful pedagogical practices).</p> 2025-07-23T00:00:00-03:00 Copyright (c) 2025 José Luiz Xavier Filho, Raphael Guazzelli Valerio https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72371 Visual representations of the 3rd Division of the Liberating Army leaders in the 1923 Revolution 2025-08-08T08:16:23-03:00 Charles Monteiro monteiro@pucrs.br Giovanna Tirelli Lopes Timm giovanna.timm@edu.pucrs.br <p>This article discusses the relevance of photography for understanding society and the social hierarchy of Rio Grande do Sul in the 1920s, within the context of the civil war in the state, especially highlighting the 3rd Division of the Liberation Army, under the command of Estácio Azambuja. It also includes a brief overview of war photography in the Center-South of Brazil, starting with the Paraguayan War, the Federalist Revolution of 1893 and the Contestado War, relating these to the photographs used as primary sources for this research, located in the collection of the Historical and Geographical Institute of Rio Grande do Sul. In short, we conclude that the production and dissemination of images of the leaders of the 1923 Revolution played a decisive role in the dissemination of opposition political ideals and in the construction of the public image of the revolutionary leaders and their subsequent insertion in the memory and historiography of the state.</p> 2025-08-08T00:00:00-03:00 Copyright (c) 2025 Charles Monteiro, Giovanna Tirelli Lopes Timm https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72719 Between pages and reflections 2025-08-02T22:39:57-03:00 Alessandra Yazbeck Oliveira Lopes aleyazbeck@gmail.com Carlos Henrique Fonseca c.henrique.sf@gmail.com <p>O presente artigo propõe uma reflexão sobre o uso do diário de leitura como ferramenta pedagógica na formação do leitor crítico, a partir da interpretação do romance <em>Capitães da Areia</em>, de Jorge Amado. A pesquisa apoia-se em referências teóricas para indicar uma leitura reflexiva, na qual o aluno se reconheça como sujeito do processo, favorecendo a interpretação textual e a autonomia dos estudantes, que contribuirão, certamente, para a formação de cidadãos críticos diante do mundo. A proposta não envolve aplicação empírica, mas se define como uma contribuição ao campo do ensino de literatura, especialmente no que diz respeito à formação do leitor na escola. Entende-se, desse modo, que o diário de leitura, aliado a obras com forte dimensão social, que extrapolem o âmbito ficcional e proponham, de certa forma, que o aluno repense as problemáticas que o cercam, representa uma estratégia potente para fomentar uma leitura crítica, significativa e transformadora.</p> 2025-08-06T00:00:00-03:00 Copyright (c) 2025 Alessandra Yazbeck Oliveira Lopes, Carlos Henrique Fonseca https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72792 From writing to power 2025-08-06T11:36:46-03:00 Gabriela Silva Fabretti gabrielafabretti@uol.com.br Jonas Magalhães Lopes Jonas-m-l@live.com Vera Lúcia Vieira vieiraveralucia2012@gmail.com <p style="font-weight: 400;"><strong>:</strong> &nbsp;&nbsp;&nbsp;Literature has reinforced and subverted mechanisms of domination and power through narratives, characters, and political dilemmas. This paper aims to discuss Literature’s capacity to establish itself as an instrument of power, based on its influence and cultural views throughout History, with emphasis on Enlightenment modernity from the 18<sup>th</sup> century onward.</p> 2025-08-07T00:00:00-03:00 Copyright (c) 2025 Gabriela Silva Fabretti, Jonas Magalhães Lopes, Vera Lúcia Vieira https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72826 Identities in conflict in the correspondence of a late medieval portuguese envoy 2025-08-23T19:02:09-03:00 Paulo Catarino Lopes peclopes@gmail.com <p>Drawing on the epistolary corpus known as the <em>Letters from Italy</em>, this paper offers an analysis of the identity-building strategies employed by Lopo de Almeida (c. 1416–1508) in the letters he sent to King Afonso V of Portugal (1432–1481). Anchored in the concept of virtue as a central category within the late medieval noble ethos, the study seeks to understand how the ambassador, through his correspondence, articulated values, experiences, and discourses that reinforced his belonging to a particular aristocratic elite. The analysis is based on the four previously published letters, as well as a recently identified one, which remains largely unexplored by historiography. These documents are examined through an analytical questionnaire and interpreted using a hermeneutic approach. In doing so, this article aims to contribute to a broader understanding of how the Portuguese nobility in transit represented itself and projected its identity within the European context of the fifteenth century.</p> 2025-09-07T00:00:00-03:00 Copyright (c) 2025 Paulo Catarino Lopes https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72935 "Bottoms" 2025-08-12T19:23:04-03:00 Fernanda Campos contato.fernandacampes@gmail.com Telma Amaral Gonçalves telmaral@ufpa.br <p>O presente trabalho tem como objetivo analisar o filme “<em>Bottoms</em>”, que conta a história de PJ e Josie, duas jovens lésbicas que decidem criar um clube de defesa pessoal para conseguirem ter suas primeiras experiências sexuais com líderes de torcida. Para isso, dialogamos com referências do filme, seus diálogos e acontecimentos com as teorias de gênero e sexualidade, investigando como a obra retrata o feminismo com suas personagens pertencentes a Geração Z. Demonstra-se como Bottoms levanta pautas feministas por meio de piadas e referências culturais, ao mesmo tempo que critica estereótipos de gênero, com personagens complexas e fora da lógica do olhar masculino (Kaplan, 1995).</p> 2025-08-12T00:00:00-03:00 Copyright (c) 2025 Fernanda Campos, Telma Amaral Gonçalves https://revistas-anterior.pucsp.br/index.php/cordis/article/view/73205 The Brazil-Paraguay border (1930-1945) 2025-09-05T23:13:43-03:00 Maísa Gabriela de Arruda Barreto maisa.gabriela.ab@gmail.com Carla Villamaina Centeno carla.centeno@uol.com.br Samira Saad Pulchério Lancillotti samira.l@uol.com.br <p>This work analyzes education on the southern border of Mato Grosso during the Vargas Era (1930-1945), focusing on the educational practices of yerba mate fields and School Groups in the border region with Paraguay. The objective is to examine the organization of didactic work in both school and non-school contexts. This is a bibliographic research that uses secondary scientific sources and the theoretical category of Didactic Work Organization (DWO) by Gilberto Luiz Alves. The period is marked by complexities: capitalist crisis, political instability (coronelism and banditry), Vargas's nationalist policies, and educational abandonment. On the border, tensions intensified due to state absence. In the yerba mate fields, work was identified as an educational principle, with direct educational relationships between apprentices and experienced workers in yerba mate production. In formal education, the Mendes Gonçalves School Group (Ponta-Porã) already showed characteristics of simultaneous teaching representing the transition of education from a "late and superfluous" activity to a social necessity.</p> 2025-09-06T00:00:00-03:00 Copyright (c) 2025 Maísa Gabriela de Arruda Barreto, Carla Villamaina Centeno, Samira Saad Pulchério Lancillotti https://revistas-anterior.pucsp.br/index.php/cordis/article/view/71406 Hieronymus Bosch e análise das imagens 2025-06-20T21:16:48-03:00 Laura Beatriz Alves de Oliveira 0802olvlaura@gmail.com <p>This article analyzes the visual representations in the works of Hieronymus Bosch, focusing on their symbolic complexity and the multiplicity of meanings evoked by his images. The objective is to demonstrate how different methodological approaches such as image-object, composite images, and iconology, can be applied to the interpretation of his work. The methodology adopted is a bibliographic review, grounded in authors such as Baschet (1996; 2015), Schmitt (2007), and Warburg. The results indicate that Bosch’s images operate not merely as visual representations, but as symbolic constructions deeply rooted in the cultural, religious, and social tensions of the fifteenth century. The analysis shows that the integrated interaction of visual elements gives rise to ambiguous narratives that resist singular interpretations. It is concluded that, by articulating these methodological tools, it becomes possible to access deeper layers of meaning in Bosch’s work, understanding his images as visual devices of critique, memory, and collective imagination.</p> 2025-06-20T00:00:00-03:00 Copyright (c) 2025 Laura Beatriz Alves de Oliveira https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72343 Noise pollution in the municipality of Rio da Conceição – TO 2025-08-10T00:31:28-03:00 Lidiane Barbosa Dias lidianedias@mail.uft.edu.br Wilson Rogério dos Santos rg_santos@mail.uft.edu.br Ana Roseli Paes dos Santos anaroseli@uft.edu.br <p>This study addresses noise pollution in the city of Rio da Conceição, in the interior of the state of Tocantins. The objective was to verify whether leisure activities in the city's spa, involving the use of sound equipment, have social or health-related consequences for residents. This is a qualitative and quantitative case study, in which cartographic surveys were conducted, decibel measurements were made in tourist spots, and a semi-structured questionnaire was prepared to guide interviews. Subsequently, the authors sought to analyze the consequences of this exposure and ways to solve the problem. The results showed that there are high levels of noise in bars, especially from cars. The city government has laws that prohibit this practice, but there is no monitoring or policing. The need was identified for awareness-raising, information-raising and monitoring work among these users, with the aim of providing a quieter environment for the population.</p> 2025-08-10T00:00:00-03:00 Copyright (c) 2025 Lidiane Barbosa Dias, Wilson Rogério dos Santos, Ana Roseli Paes dos Santos https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72736 Cultural history and multiple temporalities 2025-08-02T23:35:32-03:00 Gabriel Neto Piva gabriel.piva@unesp.br Thiago Granja Belieiro thiago.belieiro@unesp.br <p>The multiple temporalities in historiographical narrative are analysed in light of the epistemological reconfiguration between History and Anthropology, considering the so-called ‘new metaphysics of time’ in recent historical theory. This work aims to demonstrate how the incorporation of ethnographic sources into historical writing produces a constitutive heterochrony, marked by the coexistence of multiple temporal strata. Through textual analysis of O Diabo e a Terra de Santa Cruz, by Laura de Mello e Souza, the procedures that articulate evidence of multiple temporalities and heterochronies of historical time are investigated. The results reveal evidence of overlapping temporal strata in dialogue with anthropology, as well as heterogeneous temporal layers that make up the narrative. It is concluded that this perspective not only opens up new possibilities and challenges for the theory of history, but also reconfigures the understanding of temporal multiplicity as a constitutive category of historiography.</p> 2025-08-05T00:00:00-03:00 Copyright (c) 2025 Gabriel Neto Piva, Thiago Granja Belieiro https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72785 Exílio em Amsterdam 2025-08-10T22:00:58-03:00 Raquel Szafran de Oliveira raquelszafran@hotmail.com Ana Hutz ahutz@pucsp.br <p>This article investigates the formation of the Jewish community in the city of Amsterdam, analyzing the migrations of sephardic jews and new christians, as well as ashkenazi jews, the factors that led to their exile in Amsterdam, and how the first Jewish communities were established through a process of adaptation and religious tolerance. It examines how these early communities were formed, considering both the Iberian origins of the sephardim, who escaped from the Inquisition, and the influx of ashkenazi jews escaping pogroms and conflicts in Eastern Europe. The discussion highlights the internal complexities of this community, emphasizing the tensions and strategies developed by different congregations to address cultural, economic, and religious differences between the two groups. Also, the article explores the diverse communal, cultural and intellectual contributions of this community as it adapted to life in Amsterdam.</p> 2025-08-10T00:00:00-03:00 Copyright (c) 2025 Raquel Szafran de Oliveira, Ana Hutz https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72800 A dupla face melodramática na peça Toda Nudez Será Castigada (1965), de Nelson Rodrigues 2025-08-02T22:36:01-03:00 Matheus Xavier dos Santos matheusxavier@ufba.br Marcos Bispo dos Santos mabispo@uneb.br <p><span style="font-weight: 400;">This article analyzes the play </span><em><span style="font-weight: 400;">Toda Nudez Será Castigada</span></em><span style="font-weight: 400;"> (1965), by Nelson Rodrigues (1912-1980). Contrary to the critical tradition that prioritizes a tragic perspective on the writer's dramaturgical production, this investigation focuses on the melodramatic procedures embedded within the text. Through close examination and historical poetics, it was observed that melodrama operates bivalently. This dual framing enables the consideration of the melodramatic form as a genre originating from bourgeois drama. Moreover, it also allows for reflection on the melodramatic mode from an expanded perspective, in light of modernity and postmodernity. Furthermore, the playwright's employment of a slippery form of melodrama is evident, as he utilizes it in a hybrid manner, drawing upon both tragic and comic elements as the plot progresses. It can be concluded that the combination of these factors fosters melodramatic ambivalence through its popularity and the commercialization of subjectivities by agents linked to the Cultural Industry.</span></p> 2025-08-05T00:00:00-03:00 Copyright (c) 2025 Matheus Xavier , Marcos Bispo https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72841 Cinematographic narrative 2025-08-06T11:27:32-03:00 Francisco Valdério valderio.fco@gmail.com Valéria Cristina dos Santos Carvalho velrivadea@gmail.com <p><span class="TextRun SCXW199286053 BCX8" lang="PT-BR" xml:lang="PT-BR" data-contrast="auto"><span class="NormalTextRun SCXW199286053 BCX8">Este estudo investiga as relações temporais na narrativa, con</span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">orme proposto por Paul Ricoeur em Tempo e Narrativa. A análise da obra de Ricoeur explora a relação entre tempo e narrativa, partindo das aporias do tempo em Santo Agostinho e da construção da intriga em Aristóteles. Ricoeur estabelece uma relação intrínseca entre tempo e narrativa, propondo a concepção de tríplice mimese para entender como o tempo é con</span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">igurado na narrativa. Busca-se aplicar as re</span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">lexões de Ricoeur sobre narrativa literária à linguagem cinematográ</span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">ica, visando ampliar a compreensão da narrativa de </span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">icção e explorar novas relações possíveis. Isso permitirá uma melhor compreensão da narrativa em di</span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">erentes mídias, enriquecendo a análise da </span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">icção e abrindo novas perspectivas para a pesquisa narrativa, com um alcance mais amplo e diversi</span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">icado, contribuindo para uma compreensão mais pro</span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">unda da narrativa em suas diversas </span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">ormas e expressões, promovendo um entendimento mais completo e integrado, gerando novos insights teóricos e práticos e</span><span class="NormalTextRun SCXW199286053 BCX8">f</span><span class="NormalTextRun SCXW199286053 BCX8">etivamente.</span></span><span class="EOP SCXW199286053 BCX8" data-ccp-props="{&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}">&nbsp;</span></p> 2025-08-07T00:00:00-03:00 Copyright (c) 2025 Francisco Valdério, Valéria Carvalho https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72947 The liberated women resorting to justice 2025-08-13T21:14:41-03:00 Sandy Ferro Novais sandynferro@gmail.com Amanda Souza Ávila Lobo asgavila@gmail.com <p>This article aims to analyze the social mobility strategies developed by freed women, through work and other agencies, in the Imperial Vila da Vitória (located in a region known as Sertão da Ressaca, now Vitória da Conquista-BA), between 1840-1888. In order to do this, we begin by mapping the trajectory of the black freedwoman Lizarda da Silva, who fought to obtain autonomy for her naïve son named Abílio, who was under the guardianship of his mother's former master. Based on the analysis of a judicial source, together with the legislation of the time and historiography, the aim here is to show the active action of freed women to achieve their goals, using legal procedures to obtain autonomy for themselves and their children. Furthermore, the aim is to show how social mobility in a hierarchical society marked by the logic of slavery and patriarchy could have different meanings.</p> 2025-08-14T00:00:00-03:00 Copyright (c) 2025 Sandy Ferro Novais, Amanda Souza Àvila Lobo https://revistas-anterior.pucsp.br/index.php/cordis/article/view/73274 Urban reforms in Rio de Janeiro from the perspective of North American Adventist missionaries (1893-1909) 2025-09-12T12:54:38-03:00 Fábio Augusto Darius fabio.darius@unasp.edu.br Davi Boechat Paiva de Azeredo Coutinho davibpac@gmail.com <p><span style="font-weight: 400;">This article analyzes the urban reforms in Rio de Janeiro between 1893 and 1909 from the perspective of North American Adventist missionaries. Using denominational periodicals of the era as sources, the research explores the accounts of these foreigners regarding the precarious sanitary conditions of the then Brazilian capital, marked by epidemics and a lack of infrastructure. The missionary texts describe the contrast between the city's natural beauty and its urban chaos. The study also addresses the transformations implemented by the administration of Mayor Pereira Passos, which, while modernizing the city, led to an increased cost of living and the displacement of the poorer population to the suburbs. It is concluded that this process of modernization and social exclusion influenced the expansion of Adventism into suburban areas, as missionary work adapted to the new socioeconomic realities of the city.</span></p> 2025-09-17T00:00:00-03:00 Copyright (c) 2025 Fábio Augusto Darius, Davi Boechat Paiva de Azeredo Coutinho https://revistas-anterior.pucsp.br/index.php/cordis/article/view/70169 History and narrative 2025-02-02T17:42:09-03:00 Luiz Henrique Bechtlufft Bade luizhenriquebbade@gmail.com Leandro Couto Carreira Ricon leandrocoutoricon@gmail.com <p>This article investigates several aspects of the Narrative Philosophy of History – narrativism – and how it has influenced theoretical perceptions of History as a discipline. Through an analysis of the works of authors such as Hayden White and Frank Ankersmit, the study seeks to understand how plot, representation, and subjectivity influence historical writing. The objective is to demonstrate that History is not merely a scientific reconstruction of the past, but rather a cultural and social construct, shaped by narrative choices as well. The methodology employed consists of a critical analysis of some narrativist theories, based on a literature review of classic works on the subject. The research results highlight the importance of narrativism for understanding the nature of historical knowledge and challenge the notion of an objective and neutral history.</p> 2025-04-24T00:00:00-03:00 Copyright (c) 2025 Luiz Henrique Bechtlufft Bade, Leandro Couto Carreira Ricon https://revistas-anterior.pucsp.br/index.php/cordis/article/view/70793 A última parada dos bondes 2025-07-04T13:20:44-03:00 Tales Pedrosa taleslpedrosa@gmail.com <p>The tram system was the main form of public transportation in Recife between the 1860s and 1950s, operating under concession to international private companies. At the beginning of the 20th century, automobiles gained popularity, and trams, once a symbol of modernity, began to be seen as obsolete, overcrowded, and constantly delayed. Factors such as difficulties in importing parts, obstacles in managing fares, lobbying by the automobile industry, and the impact of the World Wars accelerated the decline of the system. In the post-war period, the influence of the United States consolidated the prioritization of road transportation, and as a result, the withdrawal of trams allowed for the expansion of road space and major infrastructure projects, marking a transition to motorized individual transportation and altering the urban structure of Recife. This change reflected economic, political, and social transformations, aligned with the interests of the automobile industry and the discourse of progress, in tune with national and international trends.</p> 2025-07-09T00:00:00-03:00 Copyright (c) 2025 Tales Pedrosa https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72344 Oral history in railway spaces 2025-08-10T01:04:10-03:00 Caio de Campos cm.campos@unesp.br Lívia Morais Garcia Lima livia.m.lima@unesp.br <p>This article examines the memories of elderly individuals connected to the railway in Assis, São Paulo, exploring how their work and urban experiences shaped their identities and aging processes. Using Oral History methods, thematic interviews were conducted with former railway workers, focusing on narratives about labor, daily life, and aging. Findings reveal that most retirees, financially stable, experience a comfortable old age, marked by leisure, support networks, and a strong sense of belonging to the “railway brotherhood.” However, socioeconomic disparities in aging highlight the need for more inclusive public policies. The article’s images, based on interviews, visually depict these shared memories. The study concludes that the railway not only shaped individual trajectories but also the urban memory of Assis, underscoring the importance of Oral History in preserving marginalized voices. It emphasizes the heterogeneity of aging experiences and the relevance of intersectional approaches in future research.</p> 2025-08-10T00:00:00-03:00 Copyright (c) 2025 Caio de Campos, Lívia Morais Garcia Lima https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72651 Indigenous invisibility in the Contestado conflict and region and its museological representations 2025-08-01T00:17:01-03:00 Gabriel Tozatto Pires gabrieltozattop27@gmail.com Flavio Braune Wiik flaviowiik@uel.br <p>Amid the traditionally occupied territory of the Kaingang and Xokleng peoples, systematically expropriated since colonial times, the Contestado War (1912–1916) occurred: the climax of a devastating conflict resulting from the dispossession of land from small national farmers by local elites supported by federal forces. Added to this was the territorial dispute between Paraná and Santa Catarina. Subject of broad research involving professors and students from the Anthropology Department at UEL, the constructed invisibility and attributed irrelevance of the Indigenous presence in the region, especially in the disruptive context of the conflict, are evidenced through document studies and analysis of hegemonic historiography and ethnology. This essay infers representations of these Indigenous groups through the investigation and analysis of items displayed in or belonging to collections from regional museums dedicated to the memory of the War. The findings confirm their marginalization, both in relation to the collections and the museological narratives.</p> 2025-08-25T00:00:00-03:00 Copyright (c) 2025 Gabriel Tozatto Pires, Flavio Braune Wiik https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72758 The Color of the Devil 2025-08-02T23:36:54-03:00 Cláudio Roberto Araújo de Arruda Júnior prof.claudioarruda@gmail.com Lucas Gomes de Medeiros alucasgm@gmail.com <p><span style="font-weight: 400;">This paper analyzes practices of religious racism carried out by the Universal Church of the Kingdom of God (UCKG). We understand religious racism as discursive practices that subordinate religious expressions based on their racial markers. We investigate the demonization of Afro-Amerindian religions in three main sources: the </span><em><span style="font-weight: 400;">Folha Universal </span></em><span style="font-weight: 400;">newspaper, the book </span><em><span style="font-weight: 400;">Orixás, Caboclos e Guias: Deuses ou Demônios?</span></em><span style="font-weight: 400;"> (Macedo, 2002), and Edir Macedo’s blog. Our aim is to discuss how these religions are racialized and marginalized through discourses that operate within a raciality dispositif, composed of print, digital, and televised media, articulated with religious proselytism and the ineffectiveness of legal guarantees of religious freedom. The study seeks to reflect on how such mechanisms reinforce stigmas and structural inequalities within the Brazilian religious field.</span></p> 2025-08-05T00:00:00-03:00 Copyright (c) 2025 Cláudio Roberto Araújo de Arruda Júnior, Lucas Gomes de Medeiros https://revistas-anterior.pucsp.br/index.php/cordis/article/view/72787 The female presence in the Third Cycle of Amazonian Cinema 2025-08-01T15:01:01-03:00 Pâmela Eurídice da Silva Beleza Baltazar pan.euridice@gmail.com <p>O cinema no Amazonas é construído por ciclos de alta produtividade seguidos por momentos de descontinuidade. Atualmente, este vive a sua terceira fase, marcada pelo desenvolvimento digital, o olhar para o dualismo entre o urbano e a natureza e a forte presença feminina nas produções. Neste sentido, o estudo se propõe a analisar como a configuração feminina é responsável por estimular o audiovisual recente na região por meio de projetos, festivais e a subversão da figura mítica da mulher amazônica. Quanto a natureza da pesquisa, adotou-se o método histórico afim de compreender a visão sobre as mulheres na região e analisar como essa perspectiva é transposta para sétima arte por meio da observação sistemática. Os resultados indicam que o cinema no Amazonas segue em contraponto a produção nacional, com<span class="Apple-converted-space">&nbsp; </span>a participação significativa e majoritária de mulheres negras frente a projetos com temáticas universais, contudo particulares a região</p> 2025-08-06T00:00:00-03:00 Copyright (c) 2025 Pâmela Eurídice da Silva Beleza Baltazar https://revistas-anterior.pucsp.br/index.php/cordis/article/view/70148 Beth Carvalho 2025-04-13T21:20:30-03:00 Cleonice Elias da Silva cleoelias28@gmail.com 2025-04-13T00:00:00-03:00 Copyright (c) 2025 Cleonice Elias da Silva https://revistas-anterior.pucsp.br/index.php/cordis/article/view/70708 História do socialismo democrático brasileiro 2025-03-12T20:07:24-03:00 Marcelo Lapuente Mahl mlmahl@ufu.br 2025-04-15T00:00:00-03:00 Copyright (c) 2025 Marcelo Lapuente Mahl